Joseph Heintz
1564-1609 Swiss Painter, draughtsman, architect and artistic adviser, son of Daniel Heintz. He began his training as a painter c. 1579 with Hans Bock I (c. 1550-c. 1623) in Basle. His first surviving drawings (1580) show something akin to Holbein manner in his stained-glass window designs. After completing his apprenticeship he went c. 1584 to Rome, where he studied the works of antiquity, and those of Raphael, Michelangelo, Polidoro da Caravaggio and others. In 1587 he went via Florence to Venice, absorbing the works of Tintoretto, Titian and Veronese. In autumn 1591 the Holy Roman Emperor Rudolf II summoned him as portraitist and court painter to Prague but soon sent him back to Italy, where he drew ancient statues in addition to producing his own work and acting as art agent for the Emperor. In 1592-5 he stayed mainly in Rome, then returned to Prague. In the following years he worked indefatigably as a draughtsman, painter, architect and artistic adviser, moving between Augsburg and Prague.
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Joseph Heintz Venus and Adonis oil painting


Venus and Adonis
Art History Museum, Vienna
Painting ID::  1626 		Joseph Heintz
Venus and Adonis
Art History Museum, Vienna
   
   
     
Joseph Heintz Diana and Actaeon oil painting


Diana and Actaeon
Date 1590s Medium Oil on copper plate Dimensions Height: 40 cm (15.7 in). Width: 49 cm (19.3 in). cjr
Painting ID::  86401 		Joseph Heintz
Diana and Actaeon
Date 1590s Medium Oil on copper plate Dimensions Height: 40 cm (15.7 in). Width: 49 cm (19.3 in). cjr
   
   
     
Joseph Heintz The Miracle of the Mule oil painting


The Miracle of the Mule
first half of 17th century Medium oil on canvas cyf
Painting ID::  95939 		Joseph Heintz
The Miracle of the Mule
first half of 17th century Medium oil on canvas cyf
   
   
     
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     Joseph Heintz
     1564-1609 Swiss Painter, draughtsman, architect and artistic adviser, son of Daniel Heintz. He began his training as a painter c. 1579 with Hans Bock I (c. 1550-c. 1623) in Basle. His first surviving drawings (1580) show something akin to Holbein manner in his stained-glass window designs. After completing his apprenticeship he went c. 1584 to Rome, where he studied the works of antiquity, and those of Raphael, Michelangelo, Polidoro da Caravaggio and others. In 1587 he went via Florence to Venice, absorbing the works of Tintoretto, Titian and Veronese. In autumn 1591 the Holy Roman Emperor Rudolf II summoned him as portraitist and court painter to Prague but soon sent him back to Italy, where he drew ancient statues in addition to producing his own work and acting as art agent for the Emperor. In 1592-5 he stayed mainly in Rome, then returned to Prague. In the following years he worked indefatigably as a draughtsman, painter, architect and artistic adviser, moving between Augsburg and Prague.

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